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To resolve the problem, the consultant called every Web designer in town and obtained the necessary volunteer help 3 Process consulting skills: Many pro bono projects are staffed with part-time volunteers, consultants, and the nonprofit s employees This creates the need for strong process skills like meeting facilitation, data analysis, and project management Creating a cohesive and productive team from a disparate group is challenging and provides volunteer consultants with invaluable project skills for future assignments 4 Executive communication: Often, the usual business hierarchy is minimal or nonexistent in nonprofits, so consultants must interact with people at every level, from part-time volunteers to board members A consultant with less than two years of experience had to present her team s recommendations to a nonprofit s board that included the executive director, two state senators, a deputy mayor, and two industry CEOs.

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When you give your presentation, you can specify an overall volume using the computer s volume controls in Windows. However, sometimes you might want the volume of one sound to be different from others. To set the volume for a speci c sound, follow these steps: 1. Select the clip on the slide. 2. On the Audio Tools Playback tab, click the Volume button. A menu appears. 3. Choose the volume level you want (Low, Medium, High, or Mute). You can also use a volume slider to adjust the volume more precisely than is possible with the presets available in the preceding steps. Here s how: 1. Click the clip on the slide. Play controls appear under its icon. 2. Click the speaker icon on the play controls. A Volume slider pops up. See Figure 16-13. 3. Drag the slider up or down to adjust the clip s volume.

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That presentation conquered her nervousness in dealing with highpowered executives 5 Leadership: Consultants working on pro bono projects are expected to step up to leadership roles, even if it s a stretch for them Three consultants led an education program that required them to manage the activities of 700 volunteers working in 23 locations After that effort, leading other projects seemed tame..

Fig. 12PFE-3

To delete an effect entirely from a layer, click it in the Layers palette and drag it down to the Delete Layer (trash can) icon at the bottom of the palette. To delete all effects from a layer, drag the Effects item under the layer to the Delete Layer icon.

The verification of the associativity law,

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Section 4.4 introduces the mean and variance of a random variable as well as the sample mean and sample standard deviation of a data set. It is pointed out that these are easiest to interpret if the data has a bell shape (that is, the population is approximately a normal distribution). For an example, see figure 4.4. Since language is generative, any group of texts can be considered a sample from a large population of potential texts. For example, Poe wrote about 68 short stories in his lifetime, but if he lived longer (he died at age 40) he would have written more. Undoubtably, he probably had many other ideas for stories, which he might have written given different circumstances such as if he were more financially successful during his life. Hence, we focus on sample statistics. Suppose a data set has the values zl, 2 2 , ...,x f l ,where n represents the sample size. The sample mean is given in equation 7.1.

Note that the beginning of the significant data in the Blue channel is way farther left than was the case in either the Red or the Green channel. Such offsets in the highlight data (seen here in these histograms) are the root cause of the color cast.

Unfortunately, it is not an exact science, and you have to try different adjustments until you find a combination that culminates in the desired outcome. The non-destructive nature of Photoshop allows you to freely play around with the edits, tweaking them until they are just right without the fear of ruining previous edits or the original pixels in the image. In fact, you can even remove a single adjustment that was made early on without affecting the original pixels or the subsequent adjustments. To help understand the value of non-destructive editing, think about editing an image for hours and realizing that one of the first edits you had made was a bad decision. If you could not undo that edit, the hours of work would be wasted. The following is a list of the major non-destructive features/tools available in Photoshop:




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